While I was finishing my MA, I had a retail job in the centre of Cambridge. The shop no longer exists, thanks to the recession, but it was an exceedingly small space inside a lopsided Tudor building and could usually only house one member of staff at a time. This made it a lonely job, and therefore a magnet for other lonely people who would pop in for a chat about their heroin withdrawals, or try to convert me to Mormonism, or, once, rush in and sob all over the counter about the exam they failed and how their dad back in China was going to murder them.
So I wasn’t too surprised when my boss handed me a sheet of paper with what looked like Hebrew scribbled on it.
“A man came in the other day and pressed this into my hand, saying it was the key to eternal life. I thought ‘that’s Verity’s sort of thing’, so you can have it.”
She said the gentleman in question was tall, well dressed in a tweed suit, with red hair, and left immediately without another word. The key to eternal life, in case you’re interested, is this…
No, I can’t read it either.
If you’ve lived in Cambridge for a few years, you’ll recognise the handwriting. This is Barmy Art. He’s one of the city’s treasures, along with Man Playing Guitar In The Bin, and Heavy Metal Bicycle Guy. He graffitis what can only be described as profound nonsense, usually mathematical equations or ramblings about the cure for all illness, and, once “Education? You make me laugh”. You can go months without seeing his distinctive black markings, then several crop up all over the place. He’s moved onto canvasses, one of which I found this morning propped against some student accommodation.
He was in the papers a couple of years ago for improving the walls of Jamie Oliver’s restaurant with pi symbols and something about Beethoven, sparking a brief debate about art vs vandalism that probably only made him cackle. If his work at Jamie’s was anything like the five foot long “HAIL HORRORS HAIL” he left on a building site wall in Trinity Street, I commend him.
I like eccentrics, and I hope Barmy Art never vanishes. Allegedly, he was frequently spotted during the ’90s with a packet of Bombay mix strapped to his head, but that sounds a bit rum, even for Cambridge. There’s a Flickr pool dedicated to his delightful weirdness here.
Anything is the science of alchemy
To anything creations
– Keith Lawton
He did indeed used to strap various things to his head. I once saw him with a rubber chicken tied to his bonce, and on a separate occasion a loaf of bread. Mad as a hatter was Barmy Art.
This artist will often stop by where I work in the city centre for a chat and to impart some cryptic wisdom. We’re developing a small collection of his work. Does this count as outsider art? Or is the audience’s journey to discover meaning hold the true significance.
I met this guy today in Cambridge. He started talking to me as I was eating my lunch outside. He explained he has sold all his intellectual property to his art and music to the Government in order to fund a new Cambridge College of the arts. He then started rambling about most music genres being inverted versions of other genres. At the end he told me he was part of ‘Barmy Art’ and then walked off
Keith Lawton (aka barmy arts) is a very good friend of mine! Ive known him for years now and I often have a coffee with him, He’s one of the nicest people I’ve ever met.