The Others of Edenwell is now on NetGalley. Fill your boots!

“An uncanny heart beats between the pages of this beautifully crafted book. Beguiling, chilling and profoundly disorientating, something terrifying and ancient stirs in this story of friendship, love and loyalty set against the all-pervading grief and loss of the Great War.” – Lucie McKnight Hardy

Farewell to Unsung

Seven years ago, I was sorting through a bag of donated men’s underwear (used) at my charity job when my phone pinged. An email from George at Unsung Stories: they loved Pseudotooth and they wanted to publish. After two years of fruitless querying, my weird book had finally found a home. I bought the cheapest bottle of supermarket champagne available and ordered a Chinese.


Today came the sad news that Unsung Stories is closing down. It didn’t come as a shock, but it’s a huge blow nonetheless. The loss of Unsung is going to leave a big hole in British speculative fiction. It’s the little guys who take the creative risks, putting their strength behind books the bigger publishers won’t touch. We’re all poorer when an indie goes under. Most of all, it sucks to see my friends having a hard time.

Without Unsung Stories, I wouldn’t be where I am today. Which isn’t to say I’m writing this on a veranda in Tuscany, but I’m pretty damn content. I’ve got a new novel out in July, a comic too, and I’m sitting on a nice little mountain of published short stories. I’ve met so many new friends through Unsung and had so many opportunities I would never otherwise have had. Without Unsung, I would never have found myself on the main stage at MCM Comic Con telling that one anecdote about my uncle in France and the spider sex cheese. (Don’t ask.) Unsung produced Pseudotooth so beautifully, fully understanding what I wanted to say with it and why. I’m incredibly grateful.

Pseudotooth is mine again – all rights have returned to me – and I need to decide on its future. I could self-publish or search for a publisher who deals with reprints. At the moment, I don’t know. I just don’t want it to vanish. As it stands, the last copies of the novel are for sale in the Unsung shop for £2.99, which is a lot of paperback for your buck. When they’re gone, they’re gone.

Treasure your small publishers, folks. Buy something weird today.

Hellebore: The Old Ways Issue

The Old Ways Issue celebrates landscapes, the way we navigate them, and the stories we tell about them. Pilgrimages and rituals of crossings, tales of malevolent lights luring travellers off the path, patterns in the landscape, invisible lines of force, the mystery of megaliths. In these pages we explore the sea, the marshland, rivers and fields, stone circles, the moors, and the enigma of outer space to unearth the stories that fascinate us and to acknowledge how they’ve shaped us.

HELLEBORE is a collection of writings and essays devoted to folk horror and the themes that inspire it: folklore, myth, history, archaeology, psychogeography, and the occult. 

Featuring words by Katy Soar and Niall Finneran, Kenneth Brophy, Francis Young, Verity Holloway, Madeleine Potter, Icy Sedgwick, and Darren Pih. Artwork by Clare Marie Bailey and Nathaniel Hébert.

Edited by Maria J. Pérez Cuervo.

Introducing Gore

Happy news! Gore, a short graphic novel written by me and beautifully illustrated by Ivo de Jager is being published by Black Panel Press in July 2023.

“Victorian orphan Beryl Gore adores the guts-and-glory productions of the Palace Theatre where she lives and works. Preoccupied with dreams of pirates and revenge, she barely notices the squalor around her. As Beryl grows up, trying to persuade vainglorious manager Mister Perry to read the plays she pens by candlelight, she realises the theatre is falling apart around them. To save the Palace, Perry must take a chance on Beryl. But as Beryl discovers, scoundrels aren’t confined to the stage.”

The Others of Edenwell

I’m thrilled to announce that my folk horror novel, The Others of Edenwell, will be published by Titan on the 4th of July 2023.

I can’t wait to take you back to 1917 and introduce you to Freddie, Eustace, and Drummerboy.

A dark spirit haunts an isolated Norfolk retreat in this unsettling and sinister historical horror set in the early 1900s, perfect for readers of Michelle Paver, Silvia Moreno-Garcia and Andrew Michael Hurley.

Norfolk, 1917. Unable to join the army due to a heart condition, Freddie lives and works with his father in the grounds of the Edenwell Hydropathic, a wellness retreat in the Norfolk broads. Preferring the company of birds – who talk to him as one of their own – over the eccentric characters who live in the spa, bathing in its healing waters, Freddie overhears their premonitions of murder.

Eustace Moncrieff is a troublemaker, desperate to go to war and leave behind his wealthy family. Shipped to Edenwell by his mother to keep him safe from the horrors of the trenches, he strikes up a friendship with Freddie at the behest of Doctor Chalice, the American owner of the Hydropathic.

As the two friends grow closer and grapple with their demons, they discover a body, and something terrifying stalking the woods. The dark halls of the spa are breached, haunted by the woodland beast, and the boys soon realise that they may be the only things standing between this monster and the whole of Edenwell.